…or at least some of it: the full show consists of 30-odd of Si Barber’s photographs which will be at Edge Hill University’s Arts Centre until Fri 13th December. There’s more info about the exhibition here.
See also: more new work by Si.
Here, again , the collaboration with Angelina Ayers and Thomas Mann, is at the Arts Centre in Edge Hill University, Ormskirk, Lancashire, this November and December. The show will be in the same venue as Si Barber’s The Big Society (more or less- it’s actually in the space just above it). Both open on Mon 18th Nov and run until Fri 13th Dec.
A year is a long time in politics, two a lifetime in documentary photography. Since Si Barber’s The Big Society exhibited at Bank Street Arts in 2011, the coalition government’s grandiloquent and much-trumpeted vision of the same name (‘a froth concealing the reality beneath‘) seems to have quietly faded from prominence. Instead of signalling the winding down of Si’s work, it’s provided him with further motivation to push on into the fringes of David Cameron’s Britain, pointing his camera towards the chasm between political rhetoric and everyday experience. Bureaucratic nitwittery, sentimental attitudes towards the military, weird and malevolent patriotism, and the draining ubiquity of consumer culture, are among the themes in a body of work that’s consistent with the traditions of British documentary photography, but also has something of the ragged urgency and immediacy of war photography. Provocative, angry, yet warm and affectionate, The Big Society takes its cues as much from Tony Ray-Jones‘ sweetly bemused view of Englishness as Paul Graham‘s burning indignation at unsympathetic and ineffectual governance:
The Big Society hops across The Pennines in November for an exhibition at the Arts Centre in Edge Hill University in Ormskirk, Lancashire. It’ll feature 35 photographs from the entire project so far. On Thurs 12th Dec from 11-1 Si will be at Edge Hill’s Creative Edge Lecture Theatre to talk about the project. The session is open to all. If you’d like to know more, contact me at andrewdconroy[at]yahoo[dot]co[dot]uk.
My contribution to the exhibition The Motorway Service Station as a Destination in its Own Right taking place at Bank Street Arts. The soundtrack features a reading by Simon Armitage and drones by Ian Baxter. View in HD here.
The Motorway Service Station as a Destination in its Own Right opens at Bank Street Arts om 14th May and runs until 30th June.
Just the title of Simon Armitage’s 2011 poetry pamphlet The Motorway Service Station as a Destination in its Own Right is enough to conjure a sequence of images flashing through the mind’s eye: the motorway signage, the layout of the car parks, the caffeine bleariness, the piercing neon of the petrol forecourts, the relentless drone of the road… but how often do we think of motorway service stations as destinations… and how often as destinations in their own right?
John Clark thought that all this might provide the basis for a photography project and a couple of years ago asked me if I was interested in contributing to and curating an exhibition. With the blessing of Simon and Peter Sansom of The Poetry Business, we invited a group of photographers to respond to Simon’s eleven word title: The Motorway Service Station as a Destination in its Own Right. Some chose to work using the title alone as a starting point, navigating maps of their own design, while others explored connections they’d made with Simon’s original poems…
Si Barber, David Barnes, Andy Brown, Simon Carruthers, Richard Chivers, Alex Currie, Jessa Fairbrother, Sam Mellish, Andrew Robinson, and Tribble and Mancenido are those taking part. My own contribution, The Drive, features a soundtrack by Simon Armitage and Ian Baxter.
The Motorway Service Station as a Destination in its Own Right opens at Bank Street Arts on Tuesday 14th May and runs until 30th June, partly coinciding with Sheffield Poetry Festival, which runs from 1st- 8th June. There’ll be an event to mark the show and which is part of the Poetry Festival’s programme, between 17-1930 on Saturday 1st June.
A Facebook page, featuring interviews from the participants, is here.
The iPad and iPhone version of Here, again, the book that was made with writer Angelina Ayers and artist Thomas Mann, can now be downloaded for free.
The limited edition print version of the book can be bought from the Here, again website or the Sheffield branch of Blackwell’s, Cupola Art Gallery in Hillsborough and The Old Sweet Shop in Nether Edge.
See also: Finding Lost Time ebook