The November 2013 exhibitions of The Big Society and Here, again at Edge Hill University in Lancashire represented the first in a series of informal exchanges between curators, associates and creatives at the university and Bank Street Arts in Sheffield, featuring photography, text, poetry, design, sound and performance. There’s no (obvious) connecting thread between the shows in a conceptual sense, but rather than being straightforward facsimiles of their South Yorkshire/ West Lancashire incarnation, each exhibition will be expanded, constricted, chopped, changed, and tinkered with according to the vagaries of whim and circumstance. After their show at Edge Hill in October and November, Helen Newall and Mark Edward’s Dying Swans will be the first to make the trip Eastwards to Bank Street for an exhibition this September. Plans are also underway for it to be followed by The Unforgotten Coat, a collaboration between Clare Heney, Carl Hunter and writer Frank Cottrell Boyce, based on his acclaimed children’s book.
Ahead of this, following his show at Bank Street Arts in early 2013, Jim Mortram’s Small Town Inertia opens at Edge Hill on 3rd March for a 4 week run in the university’s Arts Centre. Jim’s tireless work on the project- subject of this recent feature in The Guardian- has meant that much new work has been generated since last year, so the Edge Hill show will feature photographs that weren’t included in the Bank Street selection. On June 2nd, The Motorway Service Station as a Destination in its Own Right, a series of photographic responses to Simon Armitage’s volume of poems of the same name, crosses the Pennines for its second exhibition. As well as featuring the work of an extremely eclectic group of photographers, the show also includes Simon reading from his poem Gymnasium, accompanied by sound artist and Bank Street resident Ian Baxter.